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27 from Goethe-Lieder) POET: Johann Wolfgang von Goethe (1749-1832) LANGUAGE: German INCIPIT: Bei dem Glanz der Abendröte Wolf, Hugo: I-Catalogue Number I-Cat. No. IHW 21 Movements/Sections Mov'ts/Sec's: 3 songs Wohl denk ich oft an mein vergangnes Leben Alles endet, was entstehet Fühlt meine Seele das ersehnte Licht Year/Date of Composition Y/D of Comp. 1897 Librettist Walter Heinrich Robert-Tornow (1852-1895), after Michelangelo Buonarroti (1475-1564) Language 2019-02-12 · Art song became especially popular during the Romantic era of 19th-century Europe and is as a result, art song is often considered a genre of Romantic music. Art song recital is one of the most rigidly formalized of music genres, in which a single, elegantly dressed and formally-trained singer performs a collection of related songs accompanied by a pianist. 2003-11-29 · Hugo Wolf, the Austrian composer, specialized in beautifully concise lieder that immerse themselves in their poetry with nuanced vocal lines and rich, articulate piano ones.
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Harfenspieler I (Text: Johann Wolfgang von Goethe) CAT DUT ENG FRE GRE ITA SPA; no. 2. Harfenspieler II (Text: Johann Wolfgang von Goethe) CAT DUT ENG FRE ITA RUS; no. 3.
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påminde Korngold om Schumann, samt Im Zimmer som nästan kunnat vara av Hugo Wolf. I grund och botten har Herbert Blomstedt alltid representerat den typ av artist vars Songs of Youth and Pleasure is written in madrigal form, with. Renaissance older folk singing techniques and using them in new artistic contexts. In Pust Ulven far i väg med fåren, björnen söker samma The wolf runs off with the sheep, Hugo Alfvén: Aftonen · Adolf Fredrik Lindblad: Med en barnbön på sin mun.
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Though he had several bursts of extraordinary productivity, particularly in 1888 and 1889, depression frequently interrupted his creative periods, and his last composition was wr and 393 other albums. About Hugo Wolf. In the late nineteenth century, Hugo Wolf stepped into Franz Schubert's shoes as Germany's greatest writer of art songs. Though he occasionally worked with Opera or symphonic forms, Wolf was best known for composing short works performed by singer and pianist.
Though he had several bursts of extraordinary productivity, particularly in 1888 and 1889, depression frequently interrupted his creative periods, and his last composition was wr
and 393 other albums. About Hugo Wolf.
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More astonishing, this time period was marked with months, even years, in which the composer was unable to write a single note. He was in turn distracted by an unwanted career as a critic and the ultimately disastrous attempt to produce… Hugo Filipp Jakob Wolf was born on 13 March 1860, the fourth of six surviving children, in Windischgraz, Styria, then part of the Austrian Empire. He was taught the piano and violin by his father at an early age and continued to study piano at the local primary school. Hugo Filipp Jakob Wolf was born on 13 March 1860, the fourth of six surviving children, in Windischgraz, Styria, then part of the Austrian Empire.
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A-Ha. Analogue. Cry Wolf.
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1897 Librettist Walter Heinrich Robert-Tornow (1852-1895), after Michelangelo Buonarroti (1475-1564) Language 2019-02-12 · Art song became especially popular during the Romantic era of 19th-century Europe and is as a result, art song is often considered a genre of Romantic music. Art song recital is one of the most rigidly formalized of music genres, in which a single, elegantly dressed and formally-trained singer performs a collection of related songs accompanied by a pianist.
47 from Mörike-Lieder) POET: Eduard Mörike (1804-1875) LANGUAGE: German … After laboriously scoring it, he wrote twenty-four songs in isolation between 25 March and 30 April 1896 -- Part II of the Italian Songbook. He spent the next months revising Der Corregidor. After setting his last songs in March 1897, three somber sonnets by Michelangelo, Wolf worked tirelessly on another Spanish opera, Manuel Venegas, which amounted to 60 pages of piano score, before his breakdown. Austrian composer Hugo Wolf (1860-1903). Particularly noted for his art songs, or Lieder. He brought to this form a concentrated expressive intensity which was unique in late Romantic music, somewhat related to that of the Second Viennese School in concision but utterly unrelated in technique.